Manager: Michael Benchetrit
Management Territory: Worldwide
Mozart C Minor Mass and Requiem, Mostly Mozart Festival: "Cecelia Hall introduced easy flexibility, arresting poise and enveloping warmth in the mezzo-soprano challenges." Martin Bernheimer, Financial Times, August 22, 2016
The Composer in Ariadne auf Naxos, Opera Theatre St. Louis: "Cecelia Hall was loudly received and well loved by the audience for her unfailingly musical and stylistically superb Composer." James Sohre, Opera Today, June 27, 2016
La Finta Giardiniera, Santa Fe Opera: "In the trouser role of Ramiro, Cecelia Hall sang with a purity and evenness of tone that unexpectedly summoned up the tragic aura of opera seria." Simon Williams, Opera News August 8, 2015
"It was wonderful to see DiDonato and Cecelia Hall together at the start of Act 2: two mezzos in trouser roles, one securely established as one of the leading artists of our day and another who seems on the brink of stardom. Hall was sterling as the selfless Annio, singing with a creamy rich tone and showing dramatic acuity throughout." Lawrence A. Johnson, Chicago Classical Review, March 6, 2014
"Cecelia Hall offered a stunning rendering of the title character, graced by prodigious technical assurance across the mezzo range and an unexaggerated, convincingly masculine characterization. The evening's musical zenith was the duet "Cara/caro, ti dono in pegno il cor," which found Hall coruscating down the scale with absolute precision and blending beautifully with the warrior's inamorata, the princess Agilea (Italian soprano Manuela Bisceglie)." Mark Thomas Ketterson, Opera News, June 2012
American Cecelia Hall is one of today’s most sought-after young singers. Hailed by the New York Times for her ‘rich voice’ and ‘winning swagger’, she has appeared since 2014 in leading roles at many of the world’s finest stages, including Munich’s Bayerische Staatsoper, The Santa Fe Opera, Festival d’Aix-en-Provence, Seattle Opera, and Lyric Opera of Chicago.
Starting in the 2016-17 season, Ms. Hall joins the ensemble at Oper Frankfurt, where she appears as Poppet in a new production of Britten’s Paul Bunyan, . . . Second Lady in Die Zauberflöte, Fulvia in Gluck’s Ezio, and Zerlina in Don Giovanni. She also makes her Russian debut singing Komponist in Ariadne auf Naxos with Maestro Vladimir Jurowski and the Moscow Philharmonic Society, then returns to the USA to sing Cherubino in Le Nozze di Figaro with Opera Philadelphia and Sesto in La Clemenza di Tito with Opera Theater of Saint Louis.
Ms. Hall’s 2015-16 season included performances of Dorabella in Così Fan Tutte with the Milwaukee Symphony Orchestra, followed by recitals with the Metropolitan Opera Rising Stars Concert Series, Zerlina in Don Giovanni with NYC’s Venture Opera, and her role debut as Ruby Thewes in the east coast premiere of Jennifer Higdon’s Cold Mountain with Opera Philadelphia. Ms. Hall also returned to North Carolina Opera to sing Rosina in Il Barbiere di Siviglia and to Opera Theatre of Saint Louis to sing the Composer in Ariadne on Naxos. Her season concluded with performances of Geisha/Dhia in Mascagni’s Iris with Bard Summerscape and with her Mozart Mozart debut as the mezzo soloist in Mozart’s Mass in C minor and Requiem with Maestro Louis Langrée.
The 2014-15 season included Ms. Hall’s return to the Metropolitan Opera as Javotte in Manon, a debut at the Canadian Opera Company as Rosina in Il Barbiere di Siviglia and at the Bayerische Staatsoper as Cherubino in Le Nozze di Figaro and a return to the Seattle Opera as Zerlina in Don Giovanni. Other highlights included a return to Carnegie Hall for the 2015 Marilyn Horne Song Celebration, a Metropolitan Opera-sponsored Mozart recital at the NJPAC and her debut at the Santa Fe Opera as Don Ramiro in La Finta Giardiniera.
In 2013-14, Ms. Hall debuted as Dorabella in Così Fan Tutte with North Carolina Opera and Zerlina in Don Giovanni with Opera Philadelphia, sang a Spotlight Recital with The Song Continues at Carnegie Hall, and returned to Lyric Opera of Chicago to sing Annio in La Clemenza di Tito. In concert, Ms. Hall appeared as the Page in Salome with the Philadelphia Orchestra. Over the summer, she made her Aix-en-Provence Festival debut as Zaida in Rossini’s Il Turco in Italia. She then sang a concert of Baroque Masterworks with La Jolla Music Society’s SummerFest, and finished the summer with the Bard Music Festival as Florinda in Schubert’s Fierrabras.
An alumna of the Metropolitan Opera’s Lindemann Young Artist Development Program and the Lyric Opera of Chicago’s Ryan Opera Center, Ms. Hall appeared at the Lyric Opera as Third Maid in Elektra, Alisa in Lucia di Lammermoor, and Second Lady in Die Zauberflöte, among other roles. She recently made debuts with the Seattle Opera as Wellgunde and Rossweisse in their 2013 Ring des Nibelungen and with the Fort Worth Opera as the Komponist in Ariadne auf Naxos (a role she previously sang with the Palau de les Arts in Valencia, Spain and at the Tanglewood Music Festival).
Ms. Hall received much critical acclaim for her performance in the title-role of Handel’s Teseo at Chicago Opera Theater, and she has also debuted at the Metropolitan Opera as the Second Priestess in Iphigénie en Tauride. At the Castleton Festival, she has appeared as Rosina in Il Barbiere di Siviglia and L’Enfant in Ravel’s L’Enfant et les Sortilèges. At Juilliard Opera she was featured as Concepción in L’Heure Espagnole, Nerone in L’Incoronazione di Poppea, Cherubino in Le Nozze di Figaro, and in the title role of Ariodante.
A noted recitalist, Cecelia Hall has appeared several times at Carnegie Hall, both with the Horne Foundation and with Carnegie’s Ensemble ACJW. As a Samling Artist, she sang in recital at Wigmore Hall.
An alumna of The Juilliard School and DePaul University, Ms. Hall is a recipient of a 2011 Sara Tucker Study Grant, a 2012 Brian Dickie Outstanding Young Singer Award, the 2013 Lynne Harvey Foundation Scholarship from the Musician’s Club of Women, and Third Prize from the 2013 Gerda Lissner Foundation.