Manager: Damon Bristo
Management Territory: Worldwide
"Osborne’s Mad Scene was the tour-de-force it needs to be, beautifully sung, convincingly and quite passionately acted, a woman who still has the touch of the girl as she loses her reason." Mark Morris, Edmonton Journal, April 19, 2015 - title role in 'Lucia di Lammermoor' at Edmonton Opera
"Simone Osborne shone and her voice soared as Nannetta, the Ford's daughter, as she was given one of the few real arias in the work, a third-act beauty which she delivered with grace and care." Robert Harris, The Globe and Mail, October 4, 2014 - Nannetta in 'Falstaff' at the Canadian Opera Company
“Simone Osborne as Barbarina was an eye-opener. She sang with a dynamically rich sound that had plenty of body. Dramatically, she is to be commended for all that she was asked to do in the production. If the production’s concept was successful at all, it is to be owed to her.” Matthew Richard Martinez, BachTrack, May 30, 2013 - Barbarina in 'Le nozze di Figaro' with Gustavo Dudamel and the LA Philharmonic
Canadian soprano Simone Osborne has been hailed as "a joy to hear" (Los Angeles Times) with "a sweet and clear sound, sensitive phrasing and gleaming sustained high notes" (New York Times). Ms. Osborne was one of the youngest winners of the Metropolitan Opera National Council Auditions and was a member of the Canadian Opera Company Studio Ensemble
Simone Osborne begins the 2015-2016 season with a return to the role of Gilda from Verdi's Rigoletto with Vancouver Opera. She also returns to the Canadian Opera Company to debut the role of Micaela in Bizet's . . . Carmen with an all-star cast. On the concert stage, Ms. Osborne will cross the United States in a 15 city tour in 2016. She will return to the Toronto Symphony Orchestra for performances of both Mahler's 4th Symphony and a selection of soprano opera arias and will debut Berlioz' Les Nuits d'été with Berkeley Symphony. She also joins the Vancouver Symphony and Bach Choirs for Handel's Messiah.
In the 2014 – 2015 season, Ms. Osborne was seen as Nannetta in Robert Carsen’s production of Falstaff at the Canadian Opera Company and made her role debut as the title role in Lucia di Lammermoor at Edmonton Opera. On the concert stage, she reprised the role of Marguerite in Honegger’s Jeanne d’Arc au bûcher with Orchestre Philharmonique de Monte-Carlo, Orchestre National du Capitole de Toulouse, and Orchestre de Paris, all under Kazuki Yamada. She also debuted with the New York Philharmonic in the same piece under Alan Gilbert.
Ms. Osborne returned to the Canadian Opera Company as Oscar in Un ballo in maschera and as Musetta in La bohème in the 2013 – 2014 season. She debuted with the Vancouver Symphony singing orchestral songs of Richard Strauss and as soprano soloist in Beethoven’s Symphony No. 9. Recently, Simone Osborne debuted at Opera Hamilton as Gilda in Rigoletto and returned to Vancouver Opera as Pamina in Die Zauberflöte. Ms. Osborne also debuts with the Los Angeles Philharmonic under Gustavo Dudamel as Barbarina in Christopher Alden’s production of Le nozze di Figaro and at Carnegie Hall with pianist Warren Jones as a part of the Marilyn Horne Song Celebration. She also took part in a special project with Lotfi Mansouri entitled Viva Verdi! in Zurich to celebrate the composer’s bicentennial. The summer of 2012 saw her debut at the Saito Kinen Festival in Honegger’s Jeanne d’Arc au bûcher as Marguerite under the guidance of Seiji Ozawa.
Ms. Osborne made her role debut as Gilda in Christopher Alden’s production of Rigoletto and returned for Lauretta in Gianni Schicchi conducted by Sir Andrew Davis, both at the Canadian Opera Company in the 2011 – 2012 season. She also made her Vancouver Opera debut as Juliette in Roméo et Juliette to great critical acclaim. In concert, she made her Toronto Symphony debut in Mozart’s Requiem under music director Peter Oundjian, was soprano soloist in the Victoria Symphony’s New Year’s Day Viennese Gala, and toured Canada in recital presented by Debut Atlantic Recital Series.
Ms. Osborne sang Pamina in Die Zauberflöte for her first major assignment with the COC. This production was conducted by music director Johannes Debus and directed by Tony Award-winning director Diane Paulus. She was also seen in productions of Death in Venice, Ariadne auf Naxos, and Orfeo ed Euridice. As first year member of the COC Ensemble, Ms. Osborne performed the role of Ilia in the ensemble performance of Idomeneo under the baton of Harry Bicket. She was also seen as Frasquita in Carmen, Anne Kennedy in Maria Stuarda, and Rosina in Il barbiere di Siviglia on tour, as well as a performance of the Pribaoutki songs in the premiere of Robert Lepage's The Nightingale and Other Short Fables.
An active recitalist, Ms. Osborne was heard in recital as a part of the Marilyn Horne Foundation's "On Wings of Song" recital series, as well as a solo recital for the Hong Kong Arts Festival in the spring of 2010. She also joined the Edmonton Symphony for performances of Bach's Jauchzet Gott in allen Landen and Mozart's Exsultate, jubilate.
Previous operatic roles include Susanna (Le nozze di Figaro), Nannetta (Falstaff), Gretel (Hänsel und Gretel), Musetta (La bohème), Atalanta (Serse), Mignon (Mignon), Mařenka (The Bartered Bride), Candace Brenner (A Wedding), Laetitia (The Old Maid and the Thief), Papagena (Die Zauberflöte) and Emma Jung in the world premiere of the Canadian opera The Dream Healer.
Along with the 2008 Metropolitan Opera National Council Auditions, Ms. Osborne was the 2008 winner of the Marilyn Horne Foundation Competition at the Music Academy of the West, the 2007 winner of the International Czech and Slovak Opera Competition and a prizewinner at the George London Foundation Competition, Palm Beach Opera Competition, Sylva Gelber Foundation, and Jaqueline Desmarais Foundation.
(Updated August 2015)