Elliot Madore

Elliot Madore

Vocalists — Baritone

“The confrontation with the stone guest also put the cap on a splendidly credible performance of the title role by the Canadian baritone Elliot Madore, who looks the part, magnificently so in his final defiance, and who sang throughout with considerable style and nuance.” —Martin Kettle, The Guardian, June 8, 2014 - Title role in 'Don Giovanni' at Glyndebourne

“Very convincing as the new Guglielmo was the young Elliot Madore. He is completely charming while moving totally free and also is very handsome. Here could be a new Don Giovanni on the rise! His baritone has a good color and flexible timbre.” —John H. Mueller, Der Neue Merker, February 6, 2014 - Guglielmo in 'Così fan tutte' at Opernhaus Zürich

“Mr. Madore underplayed the darker moments of both cycles in masterly fashion. In the first song of the Mahler, “Wenn mein Schatz Hochzeit Macht,” the pain of the line “Weep, weep for my darling, for my dear darling,” was all the more intense for the reserve with which he handled both repetitions… he sang with exciting confidence and detail, delivering Poulenc’s elegantly bleak “Sanglots” with subtlety and concentration. He lingered for the slightest extra moment on the vowel in the last word of the Mahler cycle — “Traum” (“Dream”) — capturing in an instant the song’s melancholy beauty and showing the instincts and training of an exceptional recitalist…the evening was Mr. Madore’s.” —Zachary Woolfe, New York Times, January 17, 2012 - Carnegie Hall recital debut with the Marilyn Horne Foundation


A winner of the Metropolitan Opera National Council Auditions, Canadian baritone Elliot Madore is already gaining international notoriety for his exceptional voice and artistry.

In the 2014 – 2015 season, Mr. Madore will make his debut at the Bayerische Staatsoper as Pelléas in a new production of Pelléas et Melisande, a role he will debut first at the Croatian National Opera in Stéphane Braunschweig’s production. He also debuted at the Dutch National Opera as Prince Hérisson de Porc-Epic in Laurent Pelly’s new production of Chabrier’s L’étoile which was recorded for . . .

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