Michael Fabiano

Michael Fabiano


Vocalists — Tenor

Michael Fabiano was the revelation of the night. His voice is great; homogenous, the instrument of a lyric tenor who can move easily into the Bel Canto and Verdi roles...this is a young singer who delivered a committed performance without excess, and with stylish phrasing. He portrayed Edgardo from his first entrance to his last sentence at the feet of the corpose of Lucia. A singer who thrilled us from beginning to end and received a resounding ovation (the most I have heard in the Euskalduna). —Gigantes y Cabezudos

American tenor MIchael Fabiano proved himself worthy of the hype that has been bestowed upon him of late. Aside from being a particularly handsome man who was highly believable as Lucrezia's son, he was also the possessor of [a] rich, honeyed tenor with a thrilling squillo that promises a huge amount in the future. It was a pretty sizeable instrument, with a strong top, that negotiated with ease the unusual acoustics of the Coliseum's auditorium...His interpretation of "T'amo qual s'ama un angelo" was one of the highlights of the evening and it was welcome to discover that it was not at the expense of the usual excision of the Act II, Scene I duet between Gennaro and Orsini... —Opera Brittania

Vocally, though, it's often sensational. Claire Rutter and Michael Fabiano are fabulous as the embattled mother and son...He sings with effortless beauty of tone and an exquisite sense of line. —The Guardian - "Lucrezia Borgia" - English National Opera

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Of Michael Fabiano’s performance as Gennaro in English National Opera’s premiere production of Donizetti’s “Lucrezia Borgia”, The Wall Street Journal wrote: “Tenor Michael Fabiano as…Gennaro, shows why he is in such demand in the big opera houses.” Considered one of the most important musical talents in the world today, Mr. Fabiano made operatic history when he performed this work as the leading tenor Gennaro, in the first-ever, live 3D simulcast of an opera.

During the 2012/13 season, Mr. Fabiano will return to The Metropolitan Opera for . . .

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