Isabel Leonard

Isabel Leonard

2013 Richard Tucker Award Recipient
Vocalists — Mezzo-Soprano

"New to the project was mezzo-soprano Isabel Leonard whose impeccably timed and gorgeously voiced anthropologist Claire de Loon suggested she might try Broadway." —Allan Ulrich, Financial Times - Claire in 'On the Town' with the San Francisco Symphony

In the Met’s ‘Figaro,’ a Scene Stealer in Her Element: Few operatic characters are better equipped to steal scenes than the adolescent page Cherubino in Mozart’s “Le Nozze di Figaro”: a young man ridden by hormones and given gorgeous arias pulsing with sensuality. That the role is allotted to a grown woman only increases the opportunities for sophisticated humor and low farce. So it came as little surprise that on Thursday evening, when Richard Eyre’s 2014 production of “Figaro” returned to the stage of the Metropolitan Opera with the wonderful Isabel Leonard again in that role, Cherubino ruled. Ms. Leonard’s lustrous, full-bodied mezzo-soprano and her exquisite comic timing seized attention at every turn. —James R. Oestreich, New York Times - Cherubino in 'Le nozze di Figaro' at Metropolitan Opera

"Leonard is a true treasure . . . immensely talented and charismatic . . . already one of the world’s leading artists though still relatively early in her career." —Eric C. Simpson, New York Classical Review - Recital at Carnegie Hall

“. . . the evening’s star, the well-established and highly valued Isabel Leonard . . .” —James R. Oestreich, New York Times - Rosina in 'The Barber of Seville" at the Metropolitan Opera

“Leonard, so appealing as Rosina in Lyric's 2013-14 Rossini "Barber of Seville," was even more appealing as Angelina. The mezzo has the vocal and physical beauty, the natural stage charisma, the sure dramatic instincts, to win all hearts from the outset. She also commands the coloratura agility, flexibility and precision to satisfy the role's stiff technical demands and graceful bel canto lines. Rossini does his rags-to-riches heroine no favors by placing her florid showpiece, "Non piu mesta," at the end of a long, vocally taxing opera. But Leonard sailed through the tricky roulades, runs and other embellishments with grace and aplomb, making Angelina's joy at being united with her prince palpable in every ornate flourish.” —John von Rhein, Chicago Tribune - Angelina in 'La Cenerentola' at the Lyric Opera of Chicago

About

Highly acclaimed for her “passionate intensity and remarkable vocal beauty,” the Grammy Award winning Isabel Leonard continues to thrill audiences both in the opera house and on the concert stage. In repertoire that spans from Vivaldi to Mozart to Thomas Ades, she has graced the stages of the Metropolitan Opera, Vienna State Opera, Paris Opera, Salzburg Festival, Bavarian State Opera, Glyndebourne Festival, Lyric Opera of Chicago, San Francisco Opera as Rosina in Il barbiere di Siviglia, Angelina in La Cenerentola, Cherubino in Le nozze di Figaro, . . .

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    • Photo:  Becca Fay
      Photo: Becca Fay
    • Photo: Becca Fay
      Photo: Becca Fay
    • Photo: Becca Fay
      Photo: Becca Fay

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