Meredith Arwady

Meredith Arwady


Vocalists — Contralto

"But this did allow the deep mezzo-soprano Meredith Arwady as the most properly vociferous of the relatives to make a big impression." —Mark Swed, LA Times, September 13, 2015 - Zita in 'Gianni Schicchi' at LA Opera

"No less accomplished was the imposing achievement of Meredith Arwady as the Old Prioress. This was easily the finest performance I have yet seen from Ms. Arwady, her potent contralto pulsing through her punishing death scene like it was written for her. Not merely content to pin our ears back with her steely capabilities, she found a fine subtlety of expression in her brief but memorable stage time, tugging at our hearts with her fate and her fears." —James Sohre, Opera Today, July 8, 2014 - Mme. Croissy in 'Dialogues of the Carmelites' at Opera Theatre of St. Louis

"The rich-toned contralto Meredith Arwady created a sympathetic character and provided most of the work’s slender comic relief as Auntie, the publican and madam." —James R. Oestreich, New York Times, June 22, 2013 - 'Peter Grimes' at the Aspen Music Festival

About

Hailed by critics as a “rarity” and “a genuine contralto,” Meredith Arwady continues to delight audiences in the United States and abroad with rich vocal intensity and captivating stage presence.

In the 2016-2017 season, Meredith Arwady will debut at Washington National Opera reprising her acclaimed performance as Kathy Hagen in Terence Blanchard’s Champion. She also will be seen at the Dallas Opera as Filippyevna in Eugene Onegin and Houston Grand Opera as the 1st Norn in Götterdämmerung. In the summer of 2017, she will return to Santa Fe Opera as Amelfa . . .

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    • Photo:  Simon Pauly
      Photo: Simon Pauly
    • Photo:  Simon Pauly
      Photo: Simon Pauly
    • Photo:  Simon Pauly
      Photo: Simon Pauly
    • Photo:  Simon Pauly
      Photo: Simon Pauly