Tan Dun, Conductor
Manager: Ronald A. Wilford
Additional Management: Jean-Jacques Cesbron
Management Territory: Worldwide
"Theatrical [and] ritualistic, Tan Dun's music sculpts sound and transforms everything into a riveting experience that is hard to define but very easy to appreciate." The Los Angeles Times
On Marco Polo: (Tan Dun and Paul Griffiths') "....work uses a brilliantly found, inimitable Tan Dun-like recitative style. Simple melodic cores fan out into complex vocal glissandi.... In Tan Dun's music, the western orchestra sounds Asian, and Europe echoes in Asian instruments." De Volkskrant - 10 November 2008
"Tan Dun's Marco Polo was, for me, a multi-dimensional experience which went beyond my expectations and indeed overwhelmed my senses.... Here was an opera for our generation." Le Bon Journal: "Tan Dun's Marco Polo in Amsterdam" 21 November 2008
The conceptual and multifaceted composer/conductor Tan Dun has made an indelible mark on the world's music scene with a creative repertoire that spans the boundaries of classical music, multimedia performance, and Eastern and Western traditions. A winner of today's most prestigious honors including the Grammy Award, Oscar/Academy Award, Grawemeyer Award for classical composition, Musical America's Composer of The Year, Bach Prize of the City of Hamburg and Moscow’s Shostakovich Award, Tan Dun's music has been played throughout the world by leading orchestras, opera houses, international festivals, and on the . . . radio and television. As a composer/conductor, Tan Dun has led the world's most renowned orchestras, including the Royal Concertgebouw Orchestra, London Symphony Orchestra, New York Philharmonic, Berliner Philharmoniker, Philadelphia Orchestra, Orchestre National de France, BBC Symphony Orchestra, Filharmonica della Scala, Münchner Philharmoniker and the Santa Cecilia Orchestra, among others. As a global cultural force, Tan Dun has been using his creativity to raise awareness of environmental issues and to protect cultural diversity. In 2010, Tan Dun served as “Cultural Ambassador to the World” for World EXPO Shanghai. Most recently, his dedicated work was celebrated when UNESCO appointed Tan Dun as its global Goodwill Ambassador. The inauguration took place at UNESCO’s headquarters in Paris on World Water Day (March 22) and featured a free public performance of Tan Dun’s own music by the Netherlands Symphony Orchestra.
Tan Dun’s individual voice has been heard by wide audiences. His first Internet Symphony, which was commissioned by Google/YouTube, has reached over 15 million people online. His Organic Music Trilogy of Water, Paper and Ceramic Concerti has frequented major concert halls and festivals. Paper Concerto was premiered with the Los Angeles Philharmonic at the opening of the Walt Disney Hall. His multimedia work, The Map, premiered by Yo Yo Ma and the Boston Symphony Orchestra, has toured more than 30 countries worldwide. Its manuscript has been included in the Carnegie Hall Composers Gallery. His Orchestral Theatre: The Gate was premiered by Japan’s NHK Symphony Orchestra and crosses the cultural boundaries of Peking Opera, Western Opera and puppet theatre traditions. Other important recent premieres include Four Secret Roads of Marco Polo for the Berlin Philharmonic and Piano Concerto “The Fire” for Lang Lang and the New York Philharmonic. Tan Dun was commissioned by the International Olympic Committee (IOC) to write the Logo Music and Award Ceremony Music for the Beijing 2008 Olympic Games. Current projects include a new percussion concerto for soloist Martin Grubinger that premiered last year with the NDR Symphony Orchestra and a harp concerto inspired by the secret Nushu calligraphy of Tan Dun’s home province of Hunan, China commissioned by the Philadelphia Orchestra, NHK Symphony Orchestra and the Concertgebouw Orchestra.
For Tan Dun the marriage of composition and inspiration has always culminated in his operatic creations, Marco Polo was commissioned by the Edinburgh Festival and has had four different productions including, most prominently, with De Nederlandse Opera directed by Pierre Audi; The First Emperor with Placido Domingo in the title role, commissioned by the Metropolitan Opera of New York; Tea: A Mirror of Soul, premiered at Japan’s Suntory Hall, has since had new productions with Opera de Lyon, a co-production by Santa Fe Opera and The Opera Company of Philadelphia; and Peony Pavilion, directed by Peter Sellars which has had over 50 performances at major festivals in Vienna, Paris, London and Rome.
Tan Dun records for, Sony Classical, Deutsche Grammophon, Naxos, EMI and Opus Arte. His recordings have garnered many accolades, including a Grammy Award (Crouching Tiger, Hidden Dragon) and nomination (The First Emperor; Marco Polo; Pipa Concerto), Japan's Recording Academy Awards for Best Contemporary Music CD (Water Passion after St. Matthew) and the BBC's Best Orchestral Album (Death and Fire). Tan Dun’s music is published exclusively by G. Schirmer. Inc.